INTRODUCING THE
PLAY-LIVE CABLE
ENDORSED BY
SAMY MORALES
A premium, noise-free dual-output audio cable built for live streaming, production, and monitoring. One input, two clean outputs — perfect for sending a main feed to your interface or recorder while monitoring with zero signal loss. Rugged, flexible, and engineered for reliable “PLAY-Live” performance.
Ideal for use in live streaming for musicians, vlogging, worship services, multi-camera rigs, remote production and more.
When you’re live on camera, directing a broadcast, or managing multiple outputs — every connection matters. The PLAY-Live Cable is engineered for clarity, reliability and flexibility. Built with premium Mogami-style shielded conductors and gold-plated Neutrik®connector heads, it affords maximum fidelity and minimal interference. Designed for “PLAY-Live” workflows: one main input (mixer, audio interface or console) and dual outputs simultaneously driving a personal monitor (headphones), streaming recorder/interface or backup channel. Rugged in build with a heavy-tech flex jacket, durable strain relief and a flexible jacket suited for touring, house-of-worship broadcasts, studio rigs and live events. Balanced audio support (TRS or similar) ensures superior noise rejection over long runs. Works seamlessly with mixers, audio interfaces, monitoring systems and stream encoders.
This cable is ideal for live streamers, content creators, house-of-worship production teams, event video crews and hybrid or remote production workflows. If you handle multi-output audio setups — whether you’re directing a broadcast, mixing for a live service, managing the tech for a remote production or running a multi-camera rig — this cable is built for you. Anyone tired of cluttered Y-adapter solutions that degrade signal or compromise performance will appreciate the performance-grade build and reliability PPO.
A live-streaming musician or band needing one feed from their mixer plus simultaneous headphone monitoring and a recorder interface.
Worship service tech teams at a church driving the main audio console while sending a clean feed to the live-stream encoder and a separate monitor to the engineer’s headphones.
Production crews on location recording video for events: one input from camera audio, splitting cleanly into a backup recorder and on-set monitor.
Remote production environments where noise-rejection and signal integrity matter — long cable runs, multiple outputs, flexible routing.
